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the-rhino-run.ly
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the-rhino-run.ly
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% Copyright 2020 - Francesco Petrogalli and Olmo Fiorenzo Petrogalli
% This work is licensed under CC BY-SA 4.0. To view a copy of this
% license, visit https://creativecommons.org/licenses/by-sa/4.0"}
\version "2.18.2"
Dedication = \markup {"Dedicated to" \with-url #"https://blowcomotion.org/" "Blowcomotion"}
Title = \markup {"The Rhino Run"}
Version = \markup {"v1.2"}
Github = \markup {\with-url #"http://github.com/fpetrogalli/trr/releases/latest" "github.com/fpetrogalli/trr" "-" \Version}
Composer = \markup {"Composed by Olmo Fiorenzo Petrogalli and Francesco Petrogalli"}
Arranger = \markup {"Arranged by Francesco Petrogalli" "-" \with-url #"http://tubafranz.me" "tubafranz.me"}
Copyright = \markup {
\center-column {
\line { "Copyright © 2020 Francesco Petrogalli and Olmo Fiorenzo Petrogalli"}
\line { "This work is licensed under CC BY-SA 4.0." }
\line {
"To view a copy of this license, visit"
\with-url #"https://creativecommons.org/licenses/by-sa/4.0"
"https://creativecommons.org/licenses/by-sa/4.0"
}
}
}
CCLogo = \markup {
\general-align #Y #DOWN {
\with-url #"https://creativecommons.org/licenses/by-sa/4.0" \epsfile #X #20 #"by-sa.eps"
}
}
BuyMeCoffee = \markup { "Do you like it? Buy us a coffee!" \with-url #"https://ko-fi.com/tubafranz" "ko-fi.com/tubafranz"}
global = {
\compressFullBarRests
\key bes \minor
\time 12/8
\tempo 4. = 140
}
drumsolo = {}% { R1.*12 | }
altoSax = \relative c'' {
\global
%\transposition es
% Music follows here.
R1. * 12 |
%13
f,8\mf r f8~ f4 f8 f8 r r ees4 f8 ~ |
f8 r f ~f r8 r r4 des8 ees4 r8 |
f4 r8 f4 r8 f4 r8 aes r f8 ~ |
f8 r f~ f r r r2. |
%17
f 8 r f8~ f4 f8 f8 r r ees4 f8 ~ |
f8 r f ~f r8 r r4 des8 ees4 r8 |
f4 r8 f4 r8 f4 r8 aes r f8 ~ |
f8 r f~ f r r r2. |
% 21
ges2.~\p\< ges4. r8 r aes~\!\mf |
aes8 r8 aes8~ aes8 r ges8~ges r f~ f r r |
bes2.~\< bes4. r8 r c~\!\f |
c2. r8 aes\ff bes des bes aes |
%25
f8\mf r f8~ f4 f8 f8 r r ees4 f8 ~ |
f8 r f ~f r8 r r4 des8 ees4 r8 |
f4 r8 f4 r8 f4 r8 aes r f8 ~ |
f8 r f~ f r r r2. |
%29
f8 r f8~ f4 f8 f8 r r ees4 f8 ~ |
f8 r f ~f r8 r r4 des8 ees4 r8 |
f4 r8 f4 r8 f4 r8 aes r f8 ~ |
f8 r f~ f r r r aes\ff bes des bes aes |
% 33
ges2.~\p\< ges4. r8 r aes~\!\mf |
aes8 r8 aes8~ aes8 r ges8~ges r f~ f r r |
bes2.~\< bes4. r8 r c~\f\! |
c2. r8 aes\ff bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r2. r8 aes\f bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r2. r8 aes\mf bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r1. |
\drumsolo
\repeat volta 2 {
R1. * 8 |
% 41
bes2.~\p bes4. r8 r c~ |
c2. r2. |
des2.~ des4. r8 r ees~ |
}
\alternative {
{ ees2. r |}
{ ees2. r |}
}
%49
f,8\mf r f8~ f4 f8 f8 r r ees4 f8 ~ |
f8 r f ~f r8 r r4 des8 ees4 r8 |
f4 r8 f4 r8 f4 r8 aes r f8 ~ |
f8 r f~ f r r r2. |
%29
f8 r f8~ f4 f8 f8 r r ees4 f8 ~ |
f8 r f ~f r8 r r4 des8 ees4 r8 |
f4 r8 f4 r8 f4 r8 aes r f8 ~ |
f8 r f~ f r r r aes\ff bes des bes aes |
% 33
ges2.~\p\< ges4. r8 r aes~\!\mf |
aes8 r8 aes8~ aes8 r ges8~ges r f~ f r r |
bes2.~\< bes4. r8 r c~\!\mf |
c2. r |
%57
f,4\mf r8 f4 r8 f4 r8 aes r f8 ~ |
f8 r f~ f r r r4 f8\mf\< aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8\!\ff aes4. |
bes1. |
}
tenorSax = \relative c'' {
\global
% \transposition bes,
R1. * 12 |
%13
des,8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
%17
des8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
% Music follows here.
% 21
ees2.~ ees4. r8 r f~ |
f2 . r2. |
ges2.~ ges4. r8 r aes~ |
aes2. r8 aes bes des bes aes |
% 25
des,8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
% 29
des8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r aes' bes des bes aes |
% 33
ees2.~ ees4. r8 r f~ |
f2 . r2. |
ges2.~ ges4. r8 r aes~ |
aes2. r8 aes bes des bes aes |
bes1. |
r2. r8 aes bes des bes aes |
bes1. |
r2. r8 aes bes des bes aes |
bes1. |
r1. |
\drumsolo
\repeat volta 2 {
R1. * 8 |
%41
ees,2.~ ees4. r8 r f~ |
f2 . r2. |
ges2.~ ges4. r8 r aes~ |
}
\alternative {
{ aes2. r | }
{ aes2. r |}
}
%49
des,8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
% 29
des8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r aes' bes des bes aes |
% 33
ees2.~ ees4. r8 r f~ |
f2 . r2. |
ges2.~ ges4. r8 r aes~ |
aes2. r |
%57
des,4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4. |
bes1. |
}
baritoneSax = \relative c'' {
\global
% \transposition es,
% Music follows here.
R1. * 12 |
%13
bes,8\mf r bes8~ bes4 bes8 bes8 r r aes4 bes8 ~ |
bes8 r bes ~bes r8 r r4 ges8 aes4 r8 |
bes4 r8 bes4 r8 bes4 r8 des r bes8 ~ |
bes8 r bes~ bes r r r2. |
%17
bes 8 r bes8~ bes4 bes8 bes8 r r aes4 bes8 ~ |
bes8 r bes ~bes r8 r r4 ges8 aes4 r8 |
bes4 r8 bes4 r8 bes4 r8 des r bes8 ~ |
bes8 r bes~ bes r r r2. |
% 21
ees2.~\p\< ees4. r8 r f~\!\mf |
f8 r8 f8~ f8 r ges8~ges r aes~ aes r r |
ges2.~\< ges4. r8 r c~\!\f |
c2. r8 aes\ff bes des bes aes |
%25
bes,8\mf r bes8~ bes4 bes8 bes8 r r aes4 bes8 ~ |
bes8 r bes ~bes r8 r r4 ges8 aes4 r8 |
bes4 r8 bes4 r8 bes4 r8 des r bes8 ~ |
bes8 r bes~ bes r r r2. |
%29
bes 8 r bes8~ bes4 bes8 bes8 r r aes4 bes8 ~ |
bes8 r bes ~bes r8 r r4 ges8 aes4 r8 |
bes4 r8 bes4 r8 bes4 r8 des r bes8 ~ |
bes8 r bes~ bes r r r aes\ff bes des bes aes |
% 33
ees'2.~\p\< ees4. r8 r f~\mf\! |
f8 r8 f8~ f8 r ges8~ges r aes~ aes r r |
ges2.~\< ges4. r8 r c~\f\! |
c2. r8 aes\ff bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r2. r8 aes\f bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r2. r8 aes\mf bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r1. |
\drumsolo
\repeat volta 2 {
R1. * 8 |
% 41
ees,2.~\p ees4. r8 r f~ |
f2. r2. |
ges2.~ ges4. r8 r aes~ |
}
\alternative {
{ aes2. r |}
{ aes2. r |}
}
%49
bes,8\mf r bes8~ bes4 bes8 bes8 r r aes4 bes8 ~ |
bes8 r bes ~bes r8 r r4 des8 ees4 r8 |
bes4 r8 bes4 r8 bes4 r8 des r bes8 ~ |
bes8 r bes~ bes r r r2. |
%29
bes8 r bes8~ bes4 bes8 bes8 r r aes4 bes8 ~ |
bes8 r bes ~bes r8 r r4 des8 ees4 r8 |
bes4 r8 bes4 r8 bes4 r8 des r bes8 ~ |
bes8 r bes~ bes r r r aes\ff bes des bes aes |
% 33
ees'2.~\p\< ees4. r8 r f~\mf\! |
f8 r8 f8~ f8 r ges8~ges r aes~ aes r r |
bes2.~\< bes4. r8 r c~\f\! |
c2. r |
%57
bes,4\mf r8 bes4 r8 bes4 r8 des r bes8 ~ |
bes8 r bes~ bes r r r4 f8\mf\< aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8\ff\! aes4. |
bes1. |
}
tenorSax = \relative c'' {
\global
% \transposition bes,
R1. * 12 |
%13
des,8\mf r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
%17
des8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
% Music follows here.
% 21
ees2.~\p\< ees4. r8 r f~\!\mf |
f2. r2. |
ges2.\<~ ges4. r8 r aes~\!\f |
aes2. r8 aes\ff bes des bes aes |
% 25
des,8\mf r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
% 29
des8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r aes'\ff bes des bes aes |
% 33
ees2.~\p\< ees4. r8 r f~\mf\! |
f2 . r2. |
ges2.~\< ges4. r8 r aes~\f\! |
aes2. r8 aes\ff bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r2. r8 aes\f bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r2. r8 aes\mf bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
r1. |
\drumsolo
\repeat volta 2 {
R1. * 8 |
%41
ges2.~\p ges4. r8 r aes~ |
aes2 . r2. |
bes2.~ bes4. r8 r c~ |
}
\alternative {
{ c2. r | }
{ c2. r |}
}
%49
des,8\mf r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r2. |
% 29
des8 r des8~ des4 des8 des8 r r c4 des8 ~ |
des8 r des ~des r8 r r4 bes8 c4 r8 |
des4 r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r aes'\ff bes des bes aes |
% 33
ees2.~\p\< ees4. r8 r f~\mf\! |
f2 . r2. |
ges2.~\< ges4. r8 r aes\f\!~ |
aes2. r |
%57
des,4\mf r8 des4 r8 des4 r8 f r des8 ~ |
des8 r des~ des r r r4 f8\mf\< aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8\ff\! aes4. |
bes1. |
}
trumpetBb = \relative c'' {
\global
% Music follows here.
R1.*11 |
r4 e8\f ees4 des8 bes4 aes8 f4. |
%13
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4 e8 ees4 des8 bes4 aes8 f4. |
%17
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4 e8 ees4 des8 bes4 aes8 f4. |
\appoggiatura {bes8 aes8} bes4.~\mf bes4.~ bes4 des8~ des4 c8~ |
c2. r2. |
\appoggiatura {des8 c8} des4.~\f des4.~ des4 f8~ f4 ees8~ |
ees2. r8 aes,\f bes des bes aes |
%25
bes2. ~bes4. aes8 r f~ |
f2. ~f4 f8 aes4. |
des4. des ees4 f8 ees4 des8~ |
des4. r4. r4 f,8 aes4. |
bes2. ~bes4. aes8 r f~ |
f2. ~f4 f8 aes4. |
des4. des ees4 f8 ees4 des8~ |
des4 e8 ees4 des8 bes4 aes8 f4. |
% 33
\appoggiatura {bes8 aes8} bes4.~\mf bes4.~ bes4 des8~ des4 c8~ |
c2. r2. |
\appoggiatura {des8 c8} des4.~\f des4.~ des4 f8~ f4 ees8~ |
ees2. r8 aes,\f bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
R1. * 5 |
\drumsolo
\repeat volta 2 {
R1. * 8 |
bes2.~\p bes4. r8 r c~ |
c2. r2. |
des2.~ des4. r8 r ees~ |
}
\alternative {
{ees2. r | }
{ees2. r4 f,8\f aes4. |}
}
bes2. ~bes4. aes8 r f~ |
f2. ~f4 f8 aes4. |
des4. des ees4 f8 ees4 des8~ |
des4. r4. r4 f,8 aes4. |
bes2. ~bes4. aes8 r f~ |
f2. ~f4 f8 aes4. |
des4. des ees4 f8 ees4 des8~ |
des4 e8 ees4 des8 bes4 aes8 f4. |
% 33
\appoggiatura {bes8 aes8} bes4.~ bes4.~ bes4 des8~ des4 c8~ |
c2. r2. |
\appoggiatura {des8 c8} des4.~ des4.~ des4 f8~ f4 ees8~ |
ees2. r4 f,8\f aes4. |
%57
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8\mf\< aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8\ff\! aes4. |
bes1. |
}
trombone = \relative c {
\global
% Music follows here.
R1.* 3 | r2. r4 f8\f aes4. |
%4
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4. r4. r4 f8 aes4. |
%9
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4 e8 ees4 des8 bes4 aes8 f4. |
%13
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4 e8 ees4 des8 bes4 aes8 f4. |
%17
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4 e8 ees4 des8 bes4 aes8 f4. |
% 21
bes4\p r8 bes4 r8 bes4 r8 bes8 r c~ |
c8 r c ~ c r c~ c r c c4. |
des4 r8 des4 r8 des4 r8 des8 r ees~ |
ees8 r ees ~ ees r ees r aes,\f bes des bes aes |
%25
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4. r4. r4 f8 aes4. |
%29
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4 e8 ees4 des8 bes4 aes8 f4. |
%33
bes4\p r8 bes4 r8 bes4 r8 bes8 r c~ |
c8 r c ~ c r c~ c r c c4. |
des4 r8 des4 r8 des4 r8 des8 r ees~ |
ees8 r ees ~ ees r ees r aes,\f bes des bes aes |
<<{bes1.} {s2.\> s2.\!}>> |
R1. * 5 |
\drumsolo
\repeat volta 2 {
R1. *4 |
bes2.~\p bes4 des8 aes8 r bes~ |
bes2. r |
bes2.~ bes4 des8 aes8 r bes~ |
bes2. r |
%41
ees,2.~ ees4. r8 r f~ |
f2. r |
ges2.~ ges4. r8 r aes~ |
}
\alternative {
{aes2. r |}
{aes2. r4 f8\f aes4. |}
}
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4. r4. r4 f8 aes4. |
%29
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8 aes4. |
bes4. bes aes4 f8 aes4 bes8~ |
bes4 e8 ees4 des8 bes4 aes8 f4. |
%33
bes4 r8 bes4 r8 bes4 r8 bes8 r c~ |
c8 r c ~ c r c~ c r c c4. |
des4 r8 des4 r8 des4 r8 des8 r ees~ |
ees8 r ees ~ ees r ees r4 f,8\f aes4. |
%57
bes2. ~bes4. des8 r bes~ |
bes2. ~bes4 f8\mf\< aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8\ff\! aes4. |
bes1. |
}
tubaGrooveHead = \relative c, {
<<
{ r4-"Tuba 2" bes'8 r4 bes8 r4 aes8 des,4 ees8 }\\
{ bes4\mf-"Tuba 1" r8 aes'4 r8 f4 r8 des4 ees8 }
>> |
}
tubaGroove = \relative c, {
<<
{r4 bes'8 r4 bes8 r4 aes8 des,4 ees8 }\\
{bes4\mf r8 aes'4 r8 f4 r8 des4 ees8}
>> |
}
tuba = \relative c, {
\global
% Music follows here.
\repeat percent 4 \tubaGrooveHead
%5
\repeat percent 8 \tubaGroove
%13
\repeat percent 8 \tubaGroove
% 21
ees4 ees8 ees4 ees8 ees4 ees8 r8 r f~ |
f8 r f ~ f r f~ f r f f4. |
ges4 ges8 ges4 ges8 ges4 ges8 r8 r aes~ |
aes8 r aes ~ aes r aes r4. r4. |
%25
\repeat percent 8 \tubaGroove
% 33
ees4 ees8 ees4 ees8 ees4 ees8 r8 r f~ |
f8 r f ~ f r f~ f r f f4. |
ges4 ges8 ges4 ges8 ges4 ges8 r8 r aes~ |
aes8 r aes ~ aes r aes r4. r4. |
bes4-. r8 bes4-. r8 bes4. aes4 bes8~ |
bes8 r bes~ bes r bes~bes r aes bes4 aes8 |
bes4-. r8 bes4-. r8 bes4. aes4 bes8~ |
bes8 r bes~ bes r bes~bes aes\mf bes des bes aes |
<<{bes,1.} {s2.\> s2.\!}>> |
r4. f'4\mf\< f8 aes4 aes8 a4 a8 |
\drumsolo
\repeat volta 2 {
\repeat percent 4 {
bes4-.\! r8 bes4-.\mf r8 bes4. aes4 bes8~ |
bes8 r bes~ bes r bes~bes r aes bes4 aes8 |
}
%41
ees8 r bes
des r ees
r r bes
des r f |
r8 r c
ees r f
r r c
ees r ges |
r8 r des
ees r ges
r r des
ees r aes~ |
}
\alternative {
{
aes8 r r
f4 f8 aes 4 aes8 a4 a 8 |
}
{
aes8 r ees ges r aes ~ aes r r
r4. |
}
}
\repeat percent 8 \tubaGroove
% 33
ees4 ees8 ees4 ees8 ees4 ees8 r8 r f~ |
f8 r f ~ f r f~ f r f f4. |
ges4 ges8 ges4 ges8 ges4 ges8 r8 r aes~ |
aes8 r aes ~ aes r aes r4. r4. |
%57
<<
{ r4 bes8 r4 bes8 r4 aes8 des,4 ees8 }\\
{ bes4\mf r8 aes'4 r8 f4 r8 des4 ees8 }
>> |
<<
{r4 bes'8 r4 bes8 r4}\\
{bes,4 r8 aes'4 r8 f4}
>> f8\mf\< aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8 aes4 bes8~ |
bes4 f8 aes4 bes8~ bes4 f8\ff\! aes4. |
bes1. |
}
snare = \drummode {
\global
\voiceOne
R1.*4 |
R1.*4 |
R1. *3 |
r2. r4 sn8 sn4. |
r4. sn r sn |
r4. sn r sn |
r4. sn r sn |
r4. sn r sn |
r4. sn r sn |
r4. sn r sn |
r4. sn r sn |
r4. sn r sn |
sn4. sn sn r |
r1. |
sn4. sn sn r |
r1. |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
sn4. sn sn r |
r1. |
sn4. sn sn r |
r1. |
R1. * 6 |
\drumsolo
\repeat volta 2 {
R1. * 11 |
} \alternative {{r1.}{r2. r4 sn8 sn4. |}}
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
r4. sn4 sn8 r4. sn |
sn4. sn sn r |
r1. |
sn4. sn sn r |
r1. |
sn4\mf\< sn8 sn4 sn8 sn4 sn8 sn4 sn8 |
sn4 sn8 sn4 sn8 sn4 sn8 sn8 sn sn |
sn8 sn sn sn8 sn sn sn8 sn sn sn8 sn sn |
sn8 sn sn sn8 sn sn sn8 sn sn sn8\!\ff sn4 |
sn2. r |
}
basedrum = \drummode {
\global
\voiceTwo
R1. *4 |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r bd r |
bd4. r bd r |
bd4. r bd r |
bd4. r bd r |
bd4. r bd r |
bd4. r bd r |
bd4. r bd r |
bd4. r bd r |
bd4. bd bd r4 bd8~ |
bd8 r bd~bd r bd~bd r bd~ bd r r |
bd4. bd bd r4 bd8~ |
bd8 r bd~bd r bd~bd r r r4. |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd r4 bd8~ |
bd8 r bd~bd r bd~bd r bd~ bd r r |
bd4. bd bd r4 bd8~ |
bd8 r bd~bd r bd~bd r r r4. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r2. |
r1. |
\drumsolo
\repeat volta 2 {
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r r r4 bd8 |
bd4. r r2. |
bd4. r bd r |
bd4. r bd r |
bd4. r bd r |
}
\alternative {
{bd4. r bd r |}
{r1.}
}
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd r4 bd8~ |
bd8 r bd~bd r bd~bd r bd~ bd r r |
bd4. bd bd r4 bd8~ |
bd8 r bd~bd r bd~bd r r r4. |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd |
bd4. bd bd bd8 bd4 |
bd2. r |
}
hihat = \drummode {
\global
R1. *4 |
R1. *4 |
R1. *4 |
R1. *4 |
R1. *4 |
<<{hh4.}{cymca4.}>> hh4. hh r4 cymca8~ |
cymca8 r cymca~cymca r cymca~cymca r cymca~ cymca r r |
<<{hh4.}{cymca4.}>> hh4. hh r4 cymca8~ |
cymca8 r cymca~cymca r cymca~cymca r r r4. |
<<{hh4.} {cymca4.}>> hh hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
<<{hh4.}{cymca4.}>> hh4. hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
<<{hh4.}{cymca4.}>> hh4. hh r4 cymca8~ |
cymca8 r cymca~cymca r cymca~cymca r cymca~ cymca r r |
<<{hh4.}{cymca4.}>> hh4. hh r4 cymca8~ |
cymca8 r cymca~cymca r cymca~cymca r r r4. |
r4. hh r hh |
r4 .hh r hh |
r4. hh r hh |
r4. hh r hh |
hh4. hh r2. |
r1. |
\drumsolo
\repeat volta 2 {
r4. hh r hh |
r4 .hh r hh |
r4. hh r hh |
r4. hh r hh |
r4. hh r hh |
r4 .hh r hh |
r4. hh r hh |
r4. hh r hh |
R1. *3 |
}
\alternative {
{ r1.}
{ r1.}
}
<<{hh4.} {cymca4.}>> hh hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
<<{hh4.}{cymca4.}>> hh4. hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
hh4. hh hh hh |
<<{hh4.}{cymca4.}>> hh4. hh r4 cymca8~ |
cymca8 r cymca~cymca r cymca~cymca r cymca~ cymca r r |
<<{hh4.}{cymca4.}>> hh4. hh r4 cymca8~ |
cymca8 r cymca~cymca r cymca~cymca r r r4. |
cymca4. cymca cymca cymca |
cymca4. cymca cymca cymca |
cymca4. cymca cymca cymca |
cymca4. cymca cymca cymca8 cymca4 |
cymca2. r |
}
markings = {
s1.*4 \mark\default %A
s1.*8 \mark\default %B
s1.*12
\mark\default %C
s1.*12 \mark\default %D
s1.*5 \mark \markup { \musicglyph #"scripts.ufermata" }
s1. \mark\default %E
\repeat volta 2 {s1.*11}
\alternative {{s1.}| {s1.}}
s1. \mark\default %F
s1. *12 \mark\default %G
s1.*5 \bar "|."
}
altoSaxWithMarkings = {
\transposition ees {
\transpose ees c'
<<
\markings
\altoSax
>>
}
}
altoSaxPart = \new Staff \with {
instrumentName = "Alto Sax"
shortInstrumentName = "as"
midiInstrument = "alto sax"
}{
\transposition ees {
\transpose ees c'
\altoSax
}
}
tenorSaxWithMarkings = {
\transposition bes {
\transpose bes c'
<<
\markings
\tenorSax
>>
}
}
tenorSaxPart = \new Staff \with {
instrumentName = "Tenor Sax"
shortInstrumentName = "ts"
midiInstrument = "tenor sax"
}{
\transposition bes {
\transpose bes c'
\tenorSax
}
}
baritoneSaxWithMarkings = {
\clef "G_8"
\transposition ees
{
\transpose ees c
<<
\markings
\baritoneSax
>>
}
}
baritoneSaxPart = \new Staff \with {
instrumentName = "Baritone Sax"
shortInstrumentName = "bs"
midiInstrument = "baritone sax"
} {
\clef "G_8"
\transposition ees
{
\transpose ees c
\baritoneSax
}
}
trumpetBbWithMarkings = {
\transposition bes {
\transpose bes c'
<<
\markings
\trumpetBb
>>
}
}
trumpetBbPart = \new Staff \with {
instrumentName = "Trumpet in Bb"
shortInstrumentName = "trp"
midiInstrument = "trumpet"
} {
\transposition bes {
\transpose bes c'
\trumpetBb
}
}
tromboneWithMarkings = { \clef bass << \markings \trombone>> }
trombonePart = \new Staff \with {
instrumentName = "Trombone"
shortInstrumentName = "trb"
midiInstrument = "trombone"
} { \clef bass \trombone }
tubaWithMarkings = { \clef bass <<\markings \tuba>> }
tubaPart = \new Staff \with {
instrumentName = "Bass Tuba"
shortInstrumentName = "tb"
midiInstrument = "tuba"
} \tubaWithMarkings
percussionPart = \new DrumStaff {
<<
\new DrumVoice {\snare}
\new DrumVoice {\basedrum}
>>
}
percussionPartWithMarkings = \new DrumStaff {
<<
\new DrumVoice {\snare}
\new DrumVoice {<<\basedrum \markings>>}
>>
}
drumkitPart = \new DrumStaff {
<<
\new DrumVoice {\hihat}